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Johannes Erath (born 1975) is a German opera director. == Career == Erath was born in 1975 in Rottweil. First he studied violin with Rainer Küchl at der University of Music and Performing Arts, Vienna and with Hansheinz Schneeberger in Freiburg. He worked as an orchestra musician at the Volksoper Wien and at the Orchesterakademie of the Vienna Philharmonic. Thereafter he decided to go toward directing. First he served as an assistant to Willy Decker, Nicolas Brieger, Guy Joosten, Peter Konwitschny and Graham Vick in theaters all over Europe. 2002 he became Stage Manager at the Hamburg State Opera. From 2005 till 2007 he held a scholarship of the Deutsche Bank Stiftung and their »Akademie Musiktheater heute«. Among the early productions of Erath were mostly operas by contemporary composers — i.e. the world premiere of Jörn Arnecke's ''Drei Helden'' in Rheinsberg, Gerhard Schedl's ''Triptychon'', Dieter Kaufmann's ''Fuge Unfug-e'', Elliott Carters ''What Next?'' and the world premiere of Péter Eötvös’ ''Paradise Reloaded'' at the Neue Oper Wien. Thereafter he was also asked to direct classical repertory such as ''Un ballo in maschera'' in Bremerhaven, ''Les contes d’Hoffmann'' and ''Cendrillon'' am Stadttheater Bern, ''Orfeo ed Euridice'' und ''Aida'' at the Oper Köln, ''Eugene Onegin'' in Mainz, ''La traviata'' and ''The Cunning Little Vixen'' at the Hamburg State Opera. A long term cooperation was established with Graz Opera during the directorship of Elisabeth Sobotka (2009-2015). In Graz Erath directed Alban Berg's ''Lulu'' and Mozart's ''Don Giovanni'' (both 2010), ''Elektra'' by Hugo von Hofmannsthal und Richard Strauss (2012), Wagner's ''Lohengrin'' (2013) and Korngold's ''Die tote Stadt'' (2015). Especially ''Lohengrin'' — 2015 transferred to Oslo Opera — achieved high acclaim from public and press. Vienna's Kurier praised the direction as ″poetic, visually stunning and partially fairytale like.″〔Kurier: ''(Bildgewaltige Welt des „Schwanenritters“ )'', September 29, 2013 〕 The costumes for this production were designed by French couturier Christian Lacroix with whom Erath had already created ''Aida'' in Cologne. Since 2009 Erath regularly works at Oper Frankfurt. He debuted with Eötvös’ opera version of ''Angels In America'' in an outlet of the company, the Bockenheimer Depot. In the main opera house he presented Verdi's ''Otello'' in 2011, Händel's ''Giulio Cesare in Egitto'' in 2012 and Carl Maria von Weber's ''Euryanthe'' in April 2015. In June 2015 his mise-en-scène of Mozart's ''Le nozze di Figaro'' premiered at the Semperoper in Dresden. He used elements from Commedia dell’arte at the beginning of the opera.〔Neue Musikzeitung: ''(„Le nozze di Figaro“ – Mozart modern: Viel Farbe und (zu) flotte Tempi an der Semperoper )'', 24. Juni 2015 〕 kultiversum reported that Erath „placed the action in three historic settings: Firstly on a stylized wooden pedestal the archaic world of Commedia dell’Arte bringing into remembrance that Da Ponte based his personalities on this ancient typology. Secondly a classical baroque scenery representing late 18th century. Lastly the open stage of modern theatre breaking theatrical conventions also acustically with spoken parts of dialogue and interspersing them with pits and parts of French chansons played on an accordion.“〔kultiversum: ''(Le nozze di Figaro )'', abgerufen am 16. September 2015 〕 The Frankfurter Allgemeine Zeitung described his interpretation as „Comedy of Losses“. Erath belongs to the faculty of Berlin University of the Arts where he teaches ''Scenic Studies''. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Johannes Erath」の詳細全文を読む スポンサード リンク
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